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EUFCN Location Award 2022: Meet the Jury
The European Film Commissions Network (EUFCN) is delighted to announce the Jury for the sixth edition of the EUFCN Location Award, the annual prize for European filming locations.
The five distinguished professionals in the industry are in the process of selecting the five locations that will compete for best European filming location of 2022.
Markus Bensch (Production Executive / locations at Studio Babelsberg Motion Pictures Gmbh), Olivier Dock (Independent International Advisor in film, audiovisual production and distribution at Whitebench), Harriet Lawrence (Supervising Location Manager – The Key Locations), Vittoria Scarpa (Journalist and Translator at Cineuropa), and former EUFCN President Truls Kontny (CEO and Executive Producer at Evil Doghouse Nordic) have the task of evaluating the 20 submissions from EUFCN member film commissions, focusing on the significant role of the location in the story and its innovative use inside the audiovisual product. The five finalists will be revealed on Nov. 28, 2022.
The EUFCN Location Award was established in 2017. Every year EUFCN members have the opportunity to nominate one location from a film or a TV series shot in their country and released with international distribution that particular year. To be nominated for this year’s edition, the production associated with the location must have premiered in cinemas, festivals, TV, online or on digital platforms between September 11th 2021 and October 3rd 2022. After the selection of the shortlist, starting from November 28nd, the general public will have the chance to vote for their favourite location on the EUFCN website. One lucky winner will be picked among the voters and will win a trip to the Best European Filming Location of 2022.
Past winners of the EUFCN Location Award are the City of Gorlitz (Germany), for playing the title role in Wes Anderson’s The Grand Budapest Hotel; the Island of Corfu (Greece), in recognition of the role it played in the UK TV series The Durrells; El Hierro, Canary Islands (Spain), intriguing setting of Spanish thriller TV series Hierro; the Pažaislis Church and Monastery Complex (Lithuania), which helped to recreate the splendid and tumultuous reign of Empress Catherine II of Russia in the miniseries Catherine the Great; and last year’s winner Cahir Castle (Ireland), a key location for David Lowery’s fantasy film The Green Knight.
Below, a focus on each juror.
Markus Bensch
Markus Bensch has been working on locations since 1992 and joined the LMGI in 2016. He was nominated three times for an LMGI award, twice for outstanding location work on period films: in 2016 for Steven Spielberg’s Bridge of Spies and in 2020 for Terrence Malick’s A hidden life. He was also nominated for his work on contemporary TV series Inventing Anna. In 2020 Markus Bensch was the first German location professional to be accepted into the Academy of Motion Pictures Arts and Sciences (Production Design branch). Markus is based in Berlin, Germany.
Olivier Dock
Olivier Dock is an independent international advisor specialized in film and audio-visual production and distribution. Until 2017, Olivier was Vice President and Deputy Managing Director of the Motion Picture Association’s EMEA offices in Brussels, which he joined 21 years earlier. Olivier notably oversaw content protection activities in France and Spain, as well as national regulatory/commercial issues (theatrical and all media) across the Europe, Middle East and Africa region. Today, he advises primarily on global production. Olivier holds a BA from the Brussels School for Translators and Interpreters, an MA in International Politics from the Université Libre de Bruxelles (ULB), a European Certificate in Audio-visual Financing and Commercialization from Sorbonne Panthéon / INA, and an MBA from the Solvay Business School.
Harriet Lawrence
Harriet Lawrence started her Location Managing career in the 1990’s working on commercials. Since then, she increasingly worked in drama and independent UK films. She has found the Moon on Earth, Scotland inside of the M25, the Maldives in a Heathrow hotel and Wolverhampton in Central Scotland. She has worked on all sorts of TV dramas, feature films, and stills shoots including Suffragette, Burton and Taylor, Fleming, Parks & Recreation, Henry VIII, all the Outnumbered series, setting up the first series of Downton Abbey and many of Stephen Poliakoff’s films including Dancing on the Edge. She is about to wrap on Emerald Fennell’s new film Saltburn. Since 2007, Harriet Lawrence runs the renowned Assistant Location Managers Training Course via Film London then Production Guild, and more recently supported by The Location Collective.
Vittoria Scarpa
Journalist and translator. Graduated in Foreign Languages and Literatures, Master in Journalism, Vittoria Scarpa starts working for Gruppo Editoriale L’Espresso in 2003 (Kataweb, La Repubblica). In the following years she extends the collaborations with other national newspapers, including Hit Mania Magazine and Vanity Fair Italia, the website Style.it (ed. Condé Nast), the swiss press agency Café Europe. Since 2007 she works in Cineuropa.org as translator and Italian correspondent.
Truls Kontny
A dynamic C- Level Executive with more than 33 years of experience in the Scandinavian Film Industry. From 1989 to 2002 he served as CFO and later Managing Director of Norsk Film AS, the biggest production company in Norway at that time, where he produced, financed, and oversaw production of over 30 films and managed the financing activities for international and domestic co-productions. As Managing Director of the Norwegian Film Commission from 2003 until July 2021, Mr Kontny has been instrumental in bridging Scandinavian film production to the global industry. He has been serving and serves on several international board of directors including President of Scandinavian Locations, President of Nordic Film Commissions, and President of the European Film Commissions Network (until end of 2020). Mr Kontny has now joined Evil Doghouse Nordic AS as CEO and Executive producer.
The European Film Commissions Network is a non-profit association that supports and promotes the European film industry and culture. It currently represents 95 European film commissions and film institutions from 30 different countries.
EUFCN Location Awards 2024: Meet the Jury!
The European Film Commissions Network (EUFCN) is honoured to announce the Jury for the eighth edition of the EUFCN Location Awards. Since its establishment in 2017, the annual prize for European filming locations has been celebrating outstanding achievements in the world of locations and showcasing the incredible talent that contributes to the magic of filmmaking.
Every year EUFCN members submit one location from a film or a TV series shot in their territory and released with international distribution within a specific period. This year, the Jury, consisting of five distinguished professionals from the film industry, will select the shortlist of the five final contenders among the submitted locations and it will also vote for the winner of the EUFCN Location Award 2024, the best European Filming Location of 2024.
Tammy Glover (SVP Production, Sony Pictures Television, USA), Caroline Greville-Morris (Production Designer, UK), Benjamin Hendriks (Supervising Location Manager, Netherlands), EJ Richards (Supervising Location Manager, UK) and Sabine Schulmeyer (Supervising Location Manager, Germany), will evaluate all submissions by the EUFCN members, focusing on the significant role of each location in the story and its remarkable impact on the audiovisual work.
The shortlist of the five finalists will be revealed on December 2, 2024.
“Following the precious feedback by the EUFCN members, this year we elevate our competition by entrusting the decision of the winner of the EUFCN Location Award 2024 to the experts. We are thrilled to announce our Jury this year. Each Juror has an incredible track record in the film industry. Their massive experience on international productions enables them to value the high profile of the diverse locations and their creative use with a sharp eye. It is this diversity across our continent that makes Filming Europe a unique experience for filmmakers across the globe. That is why EUFCN feels obliged to celebrate outstanding achievements in the world of locations’’, underlines Venia Vergou, the new Manager of the EUFCN.
EUFCN proudly presents the members of the Jury.
Tammy Glover (USA)
Tammy Glover is the SVP Production for Sony Pictures Television. Previously, she was the VP Production for Warner Bros. Discovery, as well as Comedy Central. She served as Governor of the Television Academy, representing Production Executives. She is an accomplished musician and composer, touring the world with Sparks as the drummer for Ron and Russell Mael, playing on five of their albums, and appears in Edgar Wright’s celebrated documentary about the band, The Sparks Brothers.
Caroline Greville-Morris (UK)
Inspired to make movie magic from an early age, Caroline learned her craft in the golden age of music videos and artistically creative commercials. She has to date designed seventeen feature and TV films and had a hand in many more as an art director and set decorator. Creating stunning visuals and solving practical problems at the same time are what keep her inspired along with telling stories the most visual way possible.
Benjamin Hendriks (Netherlands)
Benjamin Hendriks is a (supervising) location manager from the Netherlands. After obtaining a master’s degree in Film Studies and Visual Culture, he has been working in the film industry for almost 15 years. He has worked on both domestic and international productions and had the privilege of contributing to projects such as Christopher Nolan’s Dunkirk, David O. Russell’s Amsterdam, and Atlanta, for which he received a nomination for a Location Managers Guild International Award in 2022.
EJ Richards (UK)
EJ (Emma Jane) Richards is a Supervising Location Manager with a career spanning nearly three decades in the film and TV industry. Their work includes high-profile projects such as Marvel’s Secret Invasion and Netflix’s The Diplomat season 2 – featuring numerous iconic British landmarks including St Paul’s Cathedral and Blenheim Palace. A member of the LMGI, the Television Academy, and the Production Guild of Great Britain, EJ brings extensive experience and insight into location scouting and management and its vital role in visual storytelling.
Sabine Schulmeyer (Germany)
Sabine Schulmeyer is a location professional with 28 years of experience in international film productions. Renowned for her adaptability and artistic vision, she seamlessly transitions between large-scale blockbusters and intimate independent films, tailoring her approach to each project’s unique needs. She worked on notable projects like John Wick 4, Matrix Resurrections, and V for Vendetta. A member of the LMGI since 2019, Schulmeyer served as Key Location Manager for a 2024 Netflix feature and she’s currently working as Supervising Location Manger on an international Apple TV series.
Past winners of the EUFCN Location Award are the City of Gorlitz (Germany), for playing the title role in Wes Anderson’s The Grand Budapest Hotel; the Island of Corfu (Greece), recognized for its impact in the UK TV series The Durrells; El Hierro, Canary Islands (Spain), striking setting of Spanish thriller TV series Hierro; the Pažaislis Church and Monastery Complex (Lithuania), which helped to recreate the splendid and tumultuous reign of Empress Catherine II of Russia in the miniseries Catherine the Great; Cahir Castle (Ireland), a key location for David Lowery’s fantasy film The Green Knight; Chiliadou Beach (Greece), which emerged as one of the protagonists of Ruben Östlund’s Triangle of Sadness; and last year’s winner Inis Mór (Ireland), the isolated and rugged island that set the tone of The Banshees of Inisherin in a remarkable way.
EUFCN promotes the wide spectrum of landscape across Europe, the creative use of filming locations and it advocates the complex and hard work behind the scouting process which involves film professionals, Film Commissions and local authorities, as well as the economic and social growth of a territory generated by film productions.
EUFCN is a non-profit Association that supports and promotes the European film industry and culture. It currently represents 100 film commissions in 32 countries in Europe.
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EUFCN Renews Board of Directors
The European Film Commissions Network (EUFCN) renewed its Board of Directors through an online vote, which concluded on November 22, 2024.
Teresa Loureiro (Lisboa Film Commission) and Stefanie Rauscher (Vienna Film Commission) were elected as new members of the EUFCN Board. Carlota Guerrero (Catalunya Film Commission), Adrian A. Mitchell (Oslo Film Commission) were confirmed on the Board and as Co-Presidents. They join Zuzana Bieliková (Slovak Film Commission), Tanja Ladović Blažević (Filming in Croatia), Alexandra Luetkens (Film Commission Hamburg Schleswig-Holstein), and Jūratė Pazikaitė (Vilnius Film Office).
The EUFCN Board of Directors, composed of 8 members, is renewed every two years.
The Board agreed to confirm Carlota Guerrero and Adrian A. Mitchell as Co-Presidents and Alexandra Luetkens as Treasurer of the Association. The Board wishes to express its gratitude to Lefteris Eleftheriou (Cyprus Film Commission) for his services as a Board member from early 2022 up till now.
“We are honoured and grateful for the trust we have just received from our fellow members of the EUFCN. To our very competent and engaged Board of Directors, we welcome two highly valuable new members, Teresa Loureiro and Stefanie Rauscher.
We are surely on the right track and confidently looking forward to continuing the work we have started to renew and further develop the EUFCN, creating more opportunities for engaging with the international film community, sharing knowledge and increasing the visibility of the Association and its members.” – Carlota Guerrero and Adrian A. Mitchell, EUFCN Co-Presidents.
“I am proud to join the EUFCN Board of Directors and I look forward to starting this challenge. I believe that EUFCN, with its holistic vision, dynamism and strong capacity for group work, plays a fundamental role in the challenging moments that the European film industry is going through and that lie ahead in the near future.” – Teresa Loureiro, new member of the EUFCN Board of Directors.
“I am very much looking forward to my new tasks as a member of the Board of Directors and to working on EUFCN’s common vision: a future-proof organization through increasing international visibility, strong relationships between members, sustainable appreciation of our members’ wealth of experience and the continuous expansion of our global network.” – Stefanie Rauscher, new member of the EUFCN Board of Directors.
The new EUFCN Board of Directors is therefore composed of:
Carlota Guerrero (Catalunya Film Commission) – Co-President
Adrian A. Mitchell (Oslo Film Commission) – Co-President
Alexandra Luetkens (Film Commission Hamburg Schleswig-Holstein) – Treasurer
Zuzana Bieliková (Slovak Film Commission) – Board Member
Tanja Ladović Blažević (Filming in Croatia) – Board Member
Teresa Loureiro (Lisboa Film Commission) – Board Member
Jūratė Pazikaitė (Vilnius Film Office) – Board Member
Stefanie Rauscher (Vienna Film Commission) – Board Member
EUFCN is a non-profit Association that supports and promotes the European film industry and culture. It currently represents 100 film commissions in 32 countries in Europe.
EUFCN reveals Location Award 2022 Shortlist
The European Film Commissions Network has announced the 5 finalists. The general public has now the chance to vote for their favourite European filming location
The European Film Commissions Network (EUFCN) launched the sixth edition of the EUFCN Location Award, the annual prize for European locations in the film and TV industries, by announcing the names of the 5 locations that will compete for best European filming location of the year.
The 2022 finalists are:
Brissago Islands for Dawn Chorus – Ticino Film Commission (SWITZERLAND)
Chiliadou Beach for Triangle of Sadness – Hellenic Film Commission (GREECE)
Portsoy for Peaky Blinders (Season 6) – Screen Scotland (SCOTLAND)
Schlosshotel Kronberg for Spencer – Film Commission Hessen (GERMANY)
Stari Grad for How I Learned To Fly – Filming in Croatia (CROATIA)
During the first stage of the competition, EUFCN member film commissions had the opportunity to submit one location from a film or a TV series shot in their territory and released between September 11st, 2021 and October 3rd, 2022.
The EUFCN Location Award Jury evaluated all 20 submissions, focusing on the significant role of the location in the story and its challenging and innovative use inside the audiovisual product.
The Jury was composed by Markus Bensch (Production Executive / locations at Studio Babelsberg Motion Pictures Gmbh), Olivier Dock (Independent International Advisor in film, audiovisual production and distribution at Whitebench), Harriet Lawrence (Supervising Location Manager – The Key Locations), Vittoria Scarpa (Journalist and Translator at Cineuropa), and former EUFCN President Truls Kontny (CEO and Executive Producer at Evil Doghouse Nordic).
“It may be a basement, a castle, a bridge, a factory, a field or a street. Without a Location there is no film or TV- production and every location is as important as the other,” say EUFCN Co-Presidents Mikael Svensson and Pavlina Zipkova. “EUFCN wants to focus on the spots where the magic is created, by sharing the process and challenges behind the choice of a location, and by celebrating the work of all those involved in the transformation of places that tell stories. Vote for your favourite now!”
The winner of the EUFCN Location Award 2022 will be determined by the general public’s vote.
Click here to vote!
A lucky name will be picked among the voters and will win a trip to the winning location!
Voting opens on Nov. 28th and runs through Jan. 31st 2023. The EUFCN Location Award 2022 will be handed out to the winning location and film commission in February at the European Film Market – EFM 2023 in Berlin.
The European Film Commissions Network is a non-profit association that supports and promotes the European film industry and culture. It currently represents 95 European film commissions and film institutions from 30 different countries.
Venia Vergou named Manager of the European Film Commissions Network (EUFCN)
Venia Vergou has been appointed new Manager of the European Film Commissions Network (EUFCN), a role she will assume from January 2, 2024. She succeeds former EUFCN Managing Director Angelica Cantisani, who stepped down in August for professional reasons after 12 years managing the Network.
“Film Commissioners have been incredible mentors to me,” said Vergou. “Having an open dialogue with the policy makers and professionals in their film industry, as well as a wide knowledge of the statute book of their countries, they can make wonders happen behind the scenes. I strongly believe that a Film Commission is the crossroads where all paths of filmmaking meet.
Being appointed as the new Manager of EUFCN is an incredible honour considering its pivotal role in the growth of the audiovisual industry. I am respectful to how much Angelica Cantisani has contributed to the shaping of the Network since its establishment and I am fully aware of the responsibility of this position. I am also looking forward to working closely with the Board of Directors and the EUFCN members and staff, to further develop strategies and shape our future goals.”
“The EUFCN is in transition, as is the industry itself, and one might say; continuously so,” said EUFCN Co-Presidents Carlota Guerrero and Adrian A. Mitchell. “The work carried out by film offices and film commissions across Europe is fundamental to the development of the European film industry. As a result, EUFCN membership is increasing, a sign that confirms that our members both wish for and need a strong and competent network where they can find guidance, experience, advice and members alike.
It will be the EUFCN’s priority over the next months to consolidate the association’s presence as a key player in the European film industry’s landscape, to strengthen the ongoing relationship with producers across the continent and beyond, and to promote and facilitate networking and training activities for members, on both operational and policy level. We believe that Ms. Vergou, with her vast experience, energy and proven efficiency, will indisputably master the task.”
Venia Vergou is the former director of the Hellenic Film Commission at the Greek Film Centre (2017-2021) and was a member of the EUFCN Board of Directors from 2019 to 2021. Vergou has been an insider of the film industry in Greece for over 20 years, a film critic, a co-producer of three feature films, as well as film projects coordinator for documenta 14 and head of communications and film programmer for the Greek Film Archive.
“Ms. Vergou has the sense of quality and thoroughness in her work, and as of late she has shown her endurance and entrepreneurial skills in the team of Crew United when establishing this network of audiovisual professionals across Greece,” added Carlota Guerrero and Adrian A. Mitchell. “This bundle of skills seldom comes collected – and we are more than pleased to have her on board.”
As a member of the Crew United team, and the person responsible for establishing the Greek channel of the biggest European online network for audiovisual professionals, Venia Vergou will continue her work at Crew United Greece on a part-time basis.
The European Film Commissions Network is a non-profit association that supports and promotes the European film industry and culture. It currently represents 99 European film commissions and film institutions from 31 different countries.